Review of Paprika

Paprika [2006] is another one of those Crazy Japanese Anime, but this time with more of an urban setting, reminiscent of some contemporary Japanese horror but with a lighter touch. In a way it seemed like a film version of something like Watchman in style and tone – quite sinister but funny as well.

The story is about a device called the DC mini which allows the recording of dreams and thus the ability for therapists to help their patients by sharing the dreams of their patients. However, the device is still in development and things go quickly wrong and surreal when one of the maverick scientists working on the device steals it.

The eponymous heroine of the film, Paprika, is an alter ego of one of the other characters, and is involved in the treatment of the police officer responsible for tracking down the missing device.

As the film rapidly progresses, its quite short, the divide between reality, dream and fiction becomes very confused and blurred. I enjoyed the film and would definitely watch it again – lots of thought-provoking moments and some good jokes.

Here’s the trailer:


Review of I, Claudius by Robert Graves


I, Claudius is well-known to the modern reader for its evocation of ancient Rome and its terrible cruelty and vice. Brought to a wide audience by the BBC mini-series, the book is the most famous historical novel dealing with the period. The book is meticulously researched and conjures up a picture of Rome and its principal characters that at once seems real and allows the modern reader to understand. The author Robert Graves was an expert in the ancient world. Principally Graves was a poet, but he also excelled as a scholar of myth, Greek myth in particular. His research of the historical period and its culture appears to the lay-reader to be first class.

The book deals with the murderous family history of the Claudians and their relatives which gave Rome its first emperors starting with Augustus through to Claudius himself and his nephew Nero. The degree of cruelty and vice is almost incomprehensible to the modern reader especially as the book was written before the horrors of the second world war. The main character is the narrator Claudius who is also positioned as the writer of the book, having wished to leave a testament of his times to the readers of the future, in perhaps nineteen hundred years time. The unlikely hero narrates the story of the rulers of Rome from his grand-uncle Augustus down to the end of his mad nephew Caligula’s reign. The style is very much as if the book were a work of history with only the occasional descriptive passage of events witnessed by Caligula or dialogue that involves him. In an early commentary on this style Claudius compares the history writing of Livy, who was fond of creating speeches for his historical characters, and Pollio who would only recount the facts. Claudius’s method is to follow Pollio in style.

As a reader this was not what I expected. I had vague memories of the TV drama and was expecting an exciting and in-depth novelisation of the times rather than a faux-history. The book lacked immediacy for me because of the narrative construct, although I can’t fault Graves’s commitment to historical veracity (although he pushes hard his speculation that Livia, Claudius’s grandmother, was the power behind the throne for most of this period). As a novel the book didn’t stand-up well.

Iain Banks on the Wasp Factory

Interesting article about Iain Banks’ The Wasp Factory at the Guardian. Link takes you to the story on Iain’s own blog.

Interesting that he turned to ‘mainstream’ after feeling frustration at several SF books being rejected.

Sir Gawain and Green Knight page published at Stupor Mundi

I have now published a page for Sir Gawain and the Green Knight at my Stupor Mundi website. 

Here’s my synopsis of the poem:
“The poem starts at Christmas at the court of King Arthur. A visitor comes to the hall, the Green Knight, and offers to let anyone strike him who will suffer a return blow a year and a day later. Sir Gawain accepts the challenge, beheads the Green Knight. However, the knight picks up his own head and reminds Gawain to come to his castle in a year and a day. The poem’s narrative then follows the journey of Gawain to the Green Knight’s castle and the events at the castle. The Green Knight shows Gawain great hospitality, and his wife, Lady Bertilak, offers her own form of hospitality as well. Gawain is torn between showing proper courtly responses to the lady’s come-ons and not offending his host. Eventually the day comes when Gawain must receive the return blow from the Green Knight.”

Siege of Parma, 1247-1248

I’ve gathered what information I can so far about this key battle during the reign of Frederick II. There seems to be little concrete source material for the siege of Parma in 1247-1248 unfortunately.

Michael Scot – information on works added

Information on Michael Scots writings has been updated at my Stupor Mundi website.

Castel Fiorentina page online

Today I have put up a page for Castel Fiorentina. This is where Frederick II died on 13 December 1250. So far the page contains some useful links, photos and an interesting video of the site of the castle.

What is Magic?

What is magic? I think this is an important question for anyone writing fantasy. I guess at the simplest one could see it as an unexplained disturbance of the natural rules of the world? An illusion that breaks the laws of reality without any explanation of how it came to be. If it has rules then surely it is no longer magic as its effect has attained a cause – it can be explained and becomes a science.

Is magic the opposite of science in fact?

It’s a cliché that science to primitive peoples who don’t understand it can be viewed as magic, but in our modern world how many people understand much of the technology that we use everyday? Yet it is not seen by most people as magic. This is because they trust that there are those, scientists and engineers, who know how it all works and can explain it.

Which leads us to an interesting point – if say a fantasy writer has magic in their created world, is it really magic? Magic will often be part of what certain members of the world, magicians etc, do. Normal people won’t understand how it works, but will assume that the magicians have this all under control and understand it.

Could another part of the definition of magic be that it has a supernatural element? It seems if you look at the source of the word and its history that the origins are not just in the manipulation of nature through mysterious means, but actually the invocation of spirits for various purposes. This link with the supernatural then must be the main feature of magic that sets it apart from science as we have already concluded that science cannot always be explained by many people. It seems that the history of magic moves from the use of spirits in classical times, to the invocation of demons in the middle ages. Then in the renaissance and enlightenment eras magic took the form of alchemy and semi-scientific practice, thus disconnecting from the supernatural origin it once had. In effect magic became false science as science itself developed.

It could also be argued that magic moved at the same time as being something that most people actually believed in, for instance in mainstream culture many people believed in the magical properties of holy relics, to being undermined as belief in the mystical itself declined in the face of the age of reason.

New Page on Michael Scot published at Stupor Mundi

I have just uploaded a new page on Michael Scot at my Stupor Mundi website. The page contains details of what we know of Michael Scot’s life – not the myth that surrounds him!

Michael Scot was the court astrologer of Frederick II until 1236. He gained the label of magician as well…

New Michael Moorcock story to appear in Postscripts.

New Michael Moorcock story to appear in Postscripts later this year. It’s an End of Time story and will be in #15.

I used to subscribe to Postscripts, over a year ago now and to be honest wasn’t a big fan. Most of the writing was quite alt/speculative and I’m afraid a bit pretentious, does seem they are getting some quite good names writing for them recently, so perhaps things have changed?