Well you’re unlikely to be able to attend this course (if you are then you’re very lucky!), but if you want to read up on what the supernatural meant in the Middle Ages then I would recommend looking over the course notes for Eileen Joy’s The Medieval Supernatural.
In a world which is indeed our world, the one we know . . . . there occurs an event which cannot be explained by the laws of this same familiar world. The person who experiences the event must opt for one of two possible solutions: either he is the victim of an illusion of the senses, of a product of the imagination — and the laws of the world then remain what they are; or else the event has indeed taken place, it is an integral part of reality — but then this reality is controlled by laws unknown to us.
~ from Tzvetan Todorov, The Fantastic: A Structural Approach to a Literary Genre
Sometimes you have to start hitting the keys to remember how fun writing can be. For some reason just getting to that point can be hellish and involves a ton of prevarication, but when you start putting one word after another you suddenly remember that it is not a chore and that creation is inspiring and joyful.
I have instituted a new cover style for my self-published short stories with Bird Talk and Bisclavret being the first examples. The main purposes was to make the author name (sounds horribly egotistical!) more prominent and also of a consistent style. My decision to do this was influenced by Dean Wesley Smith’s post about how self-published authors shoot themselves in the foot by not acting like a proper publisher – one example he gave was by not having a consistent author brand on covers, so this is a change I decided to make.
Hope you like the results!
And for reference here are the old covers – similar style as each other, but to my mind not as effective:
This research article looks interesting – it’s about how people in the enlightenment became more skeptical about magic, but they could only do so once it was more permissible to have irreligious ideas:
THE DECLINE OF MAGIC: CHALLENGE AND RESPONSE IN EARLY ENLIGHTENMENT ENGLAND