Paul, despite acknowledging Wolfe’s genius, also describes the problems he has with the allegory and particularly the Christianity in the book. I, like Paul, am an athiest, but I didn’t really find the allegory a problem – I guess I expect authors to not necessarily share my belief systems and to have their own agendas. Also, because the narrative is so dense and complex, it is actually possible to ignore the allegory – it all depends how much you want to interpret I think. It didn’t spoil the pleasure of reading the book for me.
I was also puzzled that Paul grew impatient with the narrative style of the Book of the New Sun:
“Simply by merit of our unreliable narrator Severian, Wolfe is already subverting the modernist notion of novel-as-literal-truth, and there are a number of moments where Severian draws back from the narrative to pass comment on the nature of narrative itself, straying into metafictional territory.”
Narrative games are an essential part of Wolfe’s work, and to be quite frank it can take a sophisticated reader to appreciate them. However, to say that somehow there is a modernist mainstream that Wolfe is subverting is wrong. Post-modernist questioning of the narrator has been with us for a long time – see my previous blog posting on The Wasp Factory and The Tin Drum for instance. With any text that has a narrator in the first person, the reader should beware. Unfortunately a lot of fantasy and sci-fi can be quite unsophisticated and perhaps its readers are missing out as a result. Which means that unfortunately that great writers like Gene Wolfe don’t get the credit they deserve, even from their own constituency – i.e. SF/F readers.
Apparently according to Survival International there are 100 uncontacted tribes existing still in the world – mostly in the area of Brazil and Peru. I found the story over at TED. It makes you think doesn’t it!? Also I was wondering about the possibilities of this as a story idea? The problem is most people wouldn’t believe it!
Spotted at SF Signal, Pravda interviews Harry Harrison, who calls the USA a fascist state.
While he may have a point it’s a bit rich coming from Russians isn’t it?
I wonder if his comments were taken out of context though or maybe they missed out a bit where he also criticized Russian autocracy and undemocratic principles.
Aside from increased militarism, imperialism in the Caucasus and strong-arm tactics over their energy resources, I think the main example of the rise of authoritarianism in Russia has to be the recent Eurovision competition. Are all of Russia’s neighbours so scared of angering the bear that they have to vote for her in a ‘music’ competition as well! See this video from Sir Terry Wogan.
I might subscribe!
Elric was one of my favourite fantasy anti-heroes when I was a kid – exactly I think because he was an anti-hero – both good and bad and obviously that appealed to a teenage kid.
I found this story from The Economist interesting about a new research project into the biological basis of religion. As part of my world-building exercise this is quite a fascinating subject as I come to grips with the cultural background of my world’s peoples, which includes their religions. In fact I have decided that religious differences will play an important part and mostly leading to violence.
Here’s a quote from the research project’s brochure “Leading experimental psychologists and biologists have suggested that man’s universal religious consciousness results from innate characteristics in the evolved cognitive architecture of the brain. In contrast, the differences stem from variable priming of the cognitive mechanisms through creative thinking, memory and acquired expertise.”
So it seems that humans are biologically predisposed to be religious, or at least believe in something I suppose! I’m an athiest, but must admit that I find religions and their attendant cultural systems very interesting.
I am currently working on the creation of a fantasy world for an upcoming fantasy novel. Having surveyed a lot of the literature and websites regarding world creation I found the following most useful:
Creating an Earthlike Planet – this really takes you through most of the process of creating geography, weather and climates. In particular his section on weather is a well explained, simple but invaluable – see his Climate Cookbook.
Also a useful reference for climates are the Koppen classifications, see http://koeppen-geiger.vu-wien.ac.at/
Once you have your climate’s sorted out it’s time to think about how these affect culture. I think this is more difficult, perhaps because there’s no accepted historical interpretation – i.e. it’s quite controversial still – see Jared Diamond’s Guns, Germs and Steel.
Culture creation is probably where you have to read around a lot and figure stuff out for yourself. I found that I had to create language alongside. There are a number of good websites on language creation. I would recommend the following:
The Language Construction Kit – includes all the aspects of language creation you are likely to need. I found that having a core 500 or so words was necessary to cover major nouns, verbs and adjectives.
Ardalambion is a site dedicated to the constructed languages of J.R.R. Tolkien. This is really inspirational and shows what can be done.
I strongly believe creating your own languages for your fantasy world can really enrich them. In my novel I am looking for my characters and cultures to have strong identities that are not based on slightly altered version of medieval earth. We’ll see if I achieve my aim!
Imagine my surprise when I realised the last story in Sheridan Le Fanu’s In a Glass Darkly seems to be about a lesbian vampire who is the guest in an Austrian castle high in the wooded mountains of Styria. Very hammer horror in dead.
Le Fanu lends the scene where we first guess at the woman’s sexual persuasions a deal of eroticism, which must have been very racy for his Victorian authorship:
‘She used to place her pretty arms about my neck, draw me to her, and laying her cheek to mine, murmur with her lips near my ear … And when she had spoken such a rhapsody, she would press me more closely in her trembling embrace, and her lips in soft kisses gently glow upon my cheek.’
And the erotic tension is raised a page later:
‘…breathing so fast that her dress rose and fell with the tumultuous respiration. It was like the ardour of a lover; it embarrassed me; it was hateful and yet overpowering; and with gloating eyse she drew me to her, and her hot lips travelled along my cheek in kisses; and she would whisper, almost in sobs, “You are mine, you shall be mine, you and I are one for ever.”‘
We are not told that she is a Vampire, but Le Fanu knowingly lays all the clues for the reader. The pleasure is not in the mystery as such – we know roughly what the outcome will be – but in the languid pleasure of it’s telling.
I guess you could call this story horror – vampire’s and spirits are generally classified so. What is the difference between horror and fantasy – both deal with things are not supposed to be real?
These tracks were discovered in Yemen recently.