Tag Archives: Dante Alighieri

Top Blog Posts of 2013

It’s traditional at this time of the year to take a look back – a review of the best bits if you like of 2013!

Highlights for me were getting 2 1/2 novels published – although Hell has its Demons still needs some work doing to it, plus getting a number of short stories sent off to professional magazines.

With regards to blogging, some of the most popular posts have been old ones – the one on Dante below has had over 1,000 hits and I wrote it a few years ago now. An oldie but a goodie!

So here are my top 5 blog posts of 2013:

“Midway along the journey of our life” – Great Medieval Verses (this is from Dante’s Inferno)

What did people believe in the Middle Ages, Part 1

Why George RR Martin is NOT an American Tolkien

So You Want to Draw a Dragon?

Favourite Fantasy Fiction Characters: Logen Ninefingers (aka the Bloody Nine)

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Top 5 Medieval People

Richard I of England
Image via Wikipedia

Random post of the week – who are my top 5 people from the Middle Ages – real historical medieval people, not characters from any of my stories that is!

  1. Frederick II Hohenstaufen – not quite the Renaissance prince that earlier historians such as Kantowicz would like to think, but even so still quite amazing in what he tried to do – a cultured, yet autocratic prince, rather than a fanatic oaf of a king.
  2. Geoffrey Chaucer – he had the wit and charm to poke fun at all around him, but in quite a nice way – a bit like the Stephen Fry of the Fourteenth Century perhaps?
  3. Richard I the Lionheart – complete opposite of Frederick I at number the one above, but for bare faced oafish medieval kingly behaviour I think he has to be in my arbitrary list of Top 5 Medieval People. Hated England, hardly set foot in the place, but thanks to Hollywood’s portrayal of Robin Hood and Sir Walter Scott’s Ivanhoe I grew up with him as the quintessential English Medieval King. Robin Hood wouldn’t be on my list, but he’s fictional anyway so can’t be!
  4. Dante Alighieri – the great Italian poet who gave us the Divine Comedy and the quintessential image of hell, while sniping at all and sundry, a bit nastier than Chaucer, and in my view not as great a poet, but still fascinating and able to conjure up great images.
  5. Owain Glyndŵr – rebel with a cause, but ultimately a doomed one. Not a man I knew a lot about until I read the Welsh Wars of Independence, but what a guy, what  crazy guy, deciding to go up against the might of Lancastrian England and nearly pulling it off too! The Welsh are getting a lot of good press recently for their passion and determination, and this chap certainly had that.

What do you think? Agree/disagree? Who would be in your top 5?

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“Midway along the journey of our life” – Great Medieval Verses

From Canto I of Dante’s Inferno:

Midway along the journey of our life
I woke to find myself in a dark wood,
for I had wandered off from the straight path.

These are the opening lines to Dante’s great poem, and probably the most famous poem of the Middle Ages. What better way to start off a new series of posts about great poetic verses from Medieval poetry.

There is so much going on in these three lines, a lot of symbolism and allegory already, but also a suggestion of the clear descriptive style that Dante uses to such great effect in his poetry. Let us take the verse line by line:

Midway along the journey of our life

With the word “our” Dante makes this poem not only about him but about us as well, an allegory that we should be taking note of as well. In the Middle Ages mortal life was seen as a journey or pilgrimage, with the ultimate goal being Heaven, thus the journey that the poet travels is through the three possibilities for a person after death: Hell, Purgatory or Heaven. The poet is notionally midway through his life in the setting of the poem as he was born in 1265 and the poem takes place in 1300.

I woke to find myself in a dark wood,

Oh dear, things can’t be good for Dante, he’s in  dark wood, which I imagine can’t be bad thing. The simple phrase “dark wood” is a great example of the simple descriptive style, it conjures up so many allusions to being lost, to being afraid, to being isolated and outcast and to being in a dangerous place, that Dante need to say very little more than this (although he does expand on the bitterness and savagery of the place in subsequent verses).

for I had wandered off from the straight path.

And now we know why Dante is in a “dark wood”. He has gone off the straight path to God for some reason. He has sinned perhaps or has let his attention drift from the proper goal of a Christian’s life – i.e. the pilgrimage or journey towards God mentioned in the first line of the poem.

It’s not the religious content that attracts me to this verse, but the sheer simplicity and depth of meaning which is conveyed by these three lines. They effectively set-up the whole premise for the Divine Comedy.

Here’s an alternative translation and the original Italian from the Princeton Dante Project:

Nel mezzo del cammin di nostra vita
mi ritrovai per una selva oscura,
ché la diritta via era smarrita.

Midway in the journey of our life
I came to myself in a dark wood,
for the straight way was lost.

Expect to see a few more choice verses from Dante’s work coming up in future posts.

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Interpretation of Hell in Hell has its Demons

Fallen angels in Hell
Image via Wikipedia

I have been working through some ideas of how to portray hell in my novel Hell has its Demons. If you read the synopsis of the story you’ll have noticed that it ends with a journey by some of the main characters into hell itself. As the story is set in the middle ages there is some quite rich imaginative material for how hell was seen. The most obvious example being Dante’s Inferno, which is a complex and masterfully imagined place. Other medieval portrayals often depict it as a pit of fire where sinners are eaten or tortured by demons, including Satan himself. Dante’s portrayal is more subtle – with complex punishments depending on the exact nature of the sin. Also he put Satan frozen in ice, doomed to remain there as he breathes out frozen air himself so ensuring he will never be able to break free. Peter Lombard, writing before Dante,  said there were two opinions of Satan’s freedom. Either he was able to roam and tempt man on earth, or some others believed that he was bound in prison in hell until Antichrist should come, then he would be loosed to seduce men in the final days of apocalypse.

I have thought about approaching the portrayal from  a different point of view. As I see it Satan is really doing a job for God – after all God wants sinners to be punished doesn’t he, and Satan sort of makes sure this process gets done. So in my version I think Satan will probably have his freedom, but set under strict limits by God. For instance he can’t go into the world and seduce people unless God wills it – for instance to test a candidate for sainthood maybe.

Punishing sinners is a fairly tedious and onerous job for most demons as well. They can’t appear in their own form, but rather as shadowy air – according to Peter Lombard – and there must have been a lot more work for them as the number of sinners constantly increases. I am thinking that there would need to be a strict shift pattern for demons and a hierarchy of supervisors to make sure things got done. I wondered what hell would be like if a modern dictator got his hands on it – well probably quite bureaucratic and efficient and that I think will influence my portrayal of hell in this story.

There will be traditional elements – demons will appear monstrous, but I wanted to add more complexity. Some of the demons will have been recruited from amongst men – just as angels could be created from saints – and perhaps some of these men might be a little less willing to do their hellish duty than others?

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The Renaissance was after the Middle Ages – a Medieval Myth

This is a classic myth and misconception about history and its epochs and one I’m sure many people realise. The Renaissance, the rebirth of classical learning made new by writers and scholars such as Michaelangelo and Petrarch, did not start after the Middle Ages, it was actually a phenomenon that started probably in the late 13th century.

The proof?

Look at the dates of the following artists:

Enough said really!

I think the problem is that most people still see the Middle Ages as a time of misery, ignorance and muck, with perhaps only the chivalry of knights to add any colour.

The Middle Ages: A Case of Mistaken Identity?

This was not the case. The real renaissance had already started in the twelfth century with the rediscovery of Aristotle. Humanism developed with secular writers such as Dante and Chaucer. Religion was being questioned in the late fourteenth century by Wyclif, as it had been by a host of heretical movements and scholars for several centuries.

These myths though are often just propagated further in books and film, and unfortunately the classic fantasy novel, set in a pseudo-medieval world that never existed, is partly to blame.

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