The Beauty of Fiction in Print

Theaker's Quarterly Fiction #33
Theaker's Quarterly Fiction #33

No matter what the e-book/iPad/tech-geeks/get it all free cos it’s online folks may say…

There is something very special about seeing your work in print.

I ordered my copy of Theaker’s Quarterly Fiction #33 last week as it features my story “Bird Talk”, and received it in the post the other day. What a thrill to get my first piece of fiction in the post. I had the same thrill many years ago when I had some poems published by small magazines, but they were mere pamphlets compared to the very professional magazine that Stephen Theaker has put together.

The magazine is printed on demand by Lulu and I thought that the production values were excellent. The cover is perhaps a bit shiny looking, but the paper, typesetting and layout make for a very professional publication. And there’s my story in there as well with my name of the cover.

How cool is that.

OK, ego trip now over!

UPDATE

“Bird Talk” is also now available to purchase as a separate story via Smashwords and Amazon.

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I know how George R. R. Martin feels some days!

Architect at his drawing board. This wood engr...
Image via Wikipedia

George R. R. Martin’s struggles with his latest book have been well documented on his blog and by fans who are eagerly awaiting A Dance of Dragons to be finished.

George comments in  his Not A Blog post today that he’s discovered a new POV character, and also reminds himself to take things “One page at a time. One sentence at a time. One word at a time.”

I know what he means. When you have a plan for a book ready you might find it easy to think that the words will just flow, but when you start scratching under the surface all sorts of things come out. I have had a similar experience writing the beginning of Hell has its Demons. For instance while working out some of the details of the demonic possessions that happen in the town of St. Brett’s I realized that my main villain, Edmund, actually had some allies, allies that he didn’t want, but that have come into being by his actions. This had further implications for other characters in the book as well and meant Isabel, who is sort of the leading lady of the town, would find herself excluded from the Company of Good Women that she had established to give women a voice and a sense of solidarity. Instead the group has become a coven of witches, possessed by the demons that Edmund has caused to be unleashed on the small market town of St. Brett’s.

It’s very easy to end up back at the drawing board in these cases, but the positive thing is that these extra ideas should make for a richer story. However, while working these bits out the actual narrative writing can slow, and you have to ignore the fact that it has taken over a week to write a first draft of a fairly brief chapter.

One page, one sentence, one word at a time, just keep them coming letter by letter every day.

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Michael Moorcock’s Short Non-Fiction: Into the Media Web

Into the Media Web by Michael Moorcock
Into the Media Web by Michael Moorcock

I have only just come across this courtesy of Ansible 277, Into the Media Web is a mighty collection of 720 pages, 300,000 words and 2 kg in weight, published by Savoy Books. And it’s due to published today, 2nd August!

Sub-titled Selected Short Non-Fiction, 1956-2006, the book features a fifty-year cross-section of Mike’s journalism, articles, editorials, fore- and afterwords, introductions and prefaces, obituaries, reviews and more.

There is more information available at Moorcock’s Miscellany.

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A Song of Ice and Fire and Medieval Warfare

Depiction of a late 13th century joust in the ...
Image via Wikipedia

Although George R. R. Martin‘s A Song of Ice and Fire series are fantasy fiction, and therefore anything goes, there is no denying that it is set within a fairly strong medieval setting. The Knights, titled Ser rather Sir, ride warhorses, joust with lances, feast in castle halls etc. I think one of the strengths of the series is the setting which gets close to the feel of medieval warfare and chivalry but introduces some interesting fantasy elements as well.

However, there are a couple of things that have niggled me while reading A Clash of Kings this week. Both are two do with the practicalities of warfare:

  1. Cloaks! The city watch of King’s Landing are called the gold cloaks and the queen’s guard are the red cloaks, king’s guard are the white cloaks and then there’s the black cloaks of the Night’s Watch. This doesn’t work for me. When have you ever seen medieval knights (in pictures from the Middle Ages, not modern day films) running and riding around with cloaks on. Think about it for a second if you were fight with shield, lance, sword, warhammer or whatever, the last thing you need is a cloak getting in the way. Maybe on the march these would be worn, but they would hardly be the main motif. More probable would be a badge, like the livery badges worn by soldiers to denote their affinity in the middle ages. Famously Richard II’s men had a white hart badge for example, while John of Gaunt’s men wore a double SS badge which could be on their sleeve, chest or collar even. A surcoat over an armoured coat would also be quite common and might give a more prominent single-colour effect.
  2. Siege Engines! Renly Baratheon has a massive army that he is taking north to besiege King’s Landing (probably impossibly large by the way at about 100,000 men, but that’s another matter). And along with his army he bringing a whole load of siege engines including a huge siege tower. If you were marching anywhere along roads that probably weren’t going to be the best would you build your siege engines first and then take them with you? What would probably happen is that siege engines would be built when the siege happened. Either from locally sourced materials (very eco-friendly) or very possibly from pieces the army transported in wagons. Imagine getting a large siege tower to fit down a tree lined lane somewhere in the countryside or through a town with buildings leaning over into the road. There is evidence that favoured siege engines like the trebuchet that Prince Louis brought from France to besiege Dover Castle, were transported. But I think it is very likely that it would be brought in pieces and then put together at its destination. I know Renly’s supposed to be a bit dim, but that dim?

To me these are partly historical errors (which could be excused because it’s not historical fiction), but also logical errors. Cloaks in combat don’t work so why call your elite fighting unit by that epithet, and massive siege engines are just going to be very difficult to transport fully constructed.

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Alt Hist, alternative history and historical fiction magazine launched

Alt Hist Image
Alt Hist Image

In a previous post I mentioned Alt Hist before in a previous post. My plan was to start a Facebook page (and associated Twitter feed) to provide a news and discussion forum for anyone interested in historical fiction, whether it be “realistic” or alternate history. At the time I saw this as possibly growing into a regular magazine for publishing historical fiction and alternate history as well.

Well guess what! I went and started up the magazine! Hooray! Quite scary, but amazing fun as well. Alt Hist got listed on Duotrope a few days ago and already we’ve had a few submissions come in. I really hope that if you’re interested in historical fiction at all you will find Alt Hist write up your via (bad puns intended).

The site is located at http://althistfiction.com/ and I welcome any contributions and suggestions.

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