Competition to Win Proof Copy of Kraken
Just spotted this competition to win a proof copy of Kraken on the Macmillan website – well I click on quite a cool video ad clip to find it actually! 
Only for UK residents I’m afraid!
Just spotted this competition to win a proof copy of Kraken on the Macmillan website – well I click on quite a cool video ad clip to find it actually! 
Only for UK residents I’m afraid!
Some work seems to have been done on the previously threadbare website for Season of the Witch! Unfortunately the site still uses annoying flash players to slow down loading of content, but now there is more than just a brief synopsis and trailer video.
You also get sections on:
Doesn’t really add too much. I would be interested to see some sort of cast and crew interview or maybe a new trailer!
A new novel by dark fantasy, new weird writer China Mieville is due out in May of this year. Called Kraken the book has something to do with squid worshippers and the Natural History Museum!
I hadn’t heard about this before, but there is to be a new book in the Gormenghast series published in 2011. The book was written by Mervyn’s widow Maeve Gilmore and is based on his notes. According to the Bookseller the manuscript was recently unearthed from a box in the attic of Peake’s granddaughter’s home.
Almost as exciting as the new novel is the news that it will also include previously unpublished drawings by Peake. I think I might read all the novels again soon in preparation!
Issue 32 of Theaker’s Quarterly Fiction is now available!
Here is the issue’s table of contents:
John Greenwood
This issue also features on its flipside one of the final issues of Pantechnicon, a fellow zine that ran out of steam.
My story Bird Talk should be appearing in issue 33 of Theaker’s, which will be out in April!
I have been working through some ideas of how to portray hell in my novel Hell has its Demons. If you read the synopsis of the story you’ll have noticed that it ends with a journey by some of the main characters into hell itself. As the story is set in the middle ages there is some quite rich imaginative material for how hell was seen. The most obvious example being Dante’s Inferno, which is a complex and masterfully imagined place. Other medieval portrayals often depict it as a pit of fire where sinners are eaten or tortured by demons, including Satan himself. Dante’s portrayal is more subtle – with complex punishments depending on the exact nature of the sin. Also he put Satan frozen in ice, doomed to remain there as he breathes out frozen air himself so ensuring he will never be able to break free. Peter Lombard, writing before Dante, said there were two opinions of Satan’s freedom. Either he was able to roam and tempt man on earth, or some others believed that he was bound in prison in hell until Antichrist should come, then he would be loosed to seduce men in the final days of apocalypse.
I have thought about approaching the portrayal from a different point of view. As I see it Satan is really doing a job for God – after all God wants sinners to be punished doesn’t he, and Satan sort of makes sure this process gets done. So in my version I think Satan will probably have his freedom, but set under strict limits by God. For instance he can’t go into the world and seduce people unless God wills it – for instance to test a candidate for sainthood maybe.
Punishing sinners is a fairly tedious and onerous job for most demons as well. They can’t appear in their own form, but rather as shadowy air – according to Peter Lombard – and there must have been a lot more work for them as the number of sinners constantly increases. I am thinking that there would need to be a strict shift pattern for demons and a hierarchy of supervisors to make sure things got done. I wondered what hell would be like if a modern dictator got his hands on it – well probably quite bureaucratic and efficient and that I think will influence my portrayal of hell in this story.
There will be traditional elements – demons will appear monstrous, but I wanted to add more complexity. Some of the demons will have been recruited from amongst men – just as angels could be created from saints – and perhaps some of these men might be a little less willing to do their hellish duty than others?
Great post this from Charles Stross that sums up a lot of my own badly expressed thoughts about the perils of free/open access content.
At the end of the day if no-one pays for content, then why is it going to be produced. Also similar theme alluded to in Peter F. Hamilton’s Misspent Youth where any decent original content becomes obsolete, because there’s no motivation to create it any more.
I really wish the free information enthusiasts would realise this – they’re potentially condemning mankind to a future of cultural drivel through their juvenile attempts to get something for free. I really wish they would spend their time on some decent ’cause’ such as the real information censorship that is happening in countries like China.
http://news.bbc.co.uk/1/hi/programmes/newsnight/8441813.stm

Former witch-doctors demonstrate an initiation ceremony in Lira in the northern region of Uganda
Witchcraft is still alive and well and causing massive suffering in some African countries.
Just came across news about this new series of books called the Rain Wilds Chronicles. The first book in the series is due to be published on 26 January 2010 in the US and it’s called Dragon Keeper: Volume One of the Rain Wilds Chronicles
It appears to have been published in the UK already in 2009, although I must admit I hadn’t realised this.
Here’s a bit more information about Season of the Witch, although there’s not much available apart from the synopsis and cast list at the moment. Apparently some screenings happened in December 2009, but no reviews yet. The film is due out in March 2010.
Synopsis:
Nicolas Cage stars as a 14th century Crusader who returns with his comrade (Ron Perlman) to a homeland devastated by the Black Plague. A beleaguered church, deeming sorcery the culprit of the plague, commands the two knights to transport an accused witch (Claire Foy) to a remote abbey, where monks will perform a ritual in hopes of ending the pestilence.
A priest (Stephen Campbell Moore), a grieving knight (Ulrich Thomsen), an itinerant swindler (Stephen Graham) and a headstrong youth who can only dream of becoming a knight (Robert Sheehan) join a mission troubled by mythically hostile wilderness and fierce contention over the fate of the girl.